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救世2014

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主演:麦斯·米科尔森,伊娃·格林,杰弗里·迪恩·摩根,埃里克·坎通纳,米卡埃尔·佩斯布兰特,道格拉斯·韩歇尔,迈克尔·雷蒙德-詹姆斯,乔纳森·普雷斯

类型:电影地区:其它语言:英语年份:2014

 剧照

救世2014 剧照 NO.1救世2014 剧照 NO.2救世2014 剧照 NO.3救世2014 剧照 NO.4救世2014 剧照 NO.5救世2014 剧照 NO.6救世2014 剧照 NO.13救世2014 剧照 NO.14救世2014 剧照 NO.15救世2014 剧照 NO.16救世2014 剧照 NO.17救世2014 剧照 NO.18救世2014 剧照 NO.19救世2014 剧照 NO.20

 剧情介绍

救世2014电影免费高清在线观看全集。
  在19世紀70年代美國,一個和平的美國定居者殺害他家人的兇手這釋放出一個臭名昭著的黑幫頭目的憤怒。他的懦弱的傢伙鄉民然後背叛他,迫使他追捕歹徒孤單。  故事背景設置在1870年代的美國西部小鎮,一名性格溫和的丹麥移民在失去了家人之後向兇手報仇,然而這讓他成為了當地一個臭名昭著的大惡棍的眼中釘。鎮上貪生怕死的居民全都背叛了他,留下了主人公獨自面對那些不法之徒。  丹麥預計2014年10月2日上映的西部劇情片【The Salvation】,入圍第67屆坎城影展競賽片,是丹麥導演克里斯汀‧萊伏林第五部上大螢幕的長片作品,由坎城影帝麥德‧米克森 以及 性感女星伊娃‧格林主演。  本片由【勿怕我】克里斯汀‧萊伏林 Kristian Levring自編自導,【謊言的烙印】麥德‧米克森 Mads Mikkelsen、【300壯士:帝國崛起】伊娃‧格林 Eva Green、【紅潮入侵】傑佛瑞‧狄恩‧摩根 Jeffrey Dean Morgan領銜主演。热播电视剧最新电影超人总动员八爪狂鲨大战梭鱼翼龙不能结婚是有理由的地铁四重奏登陆之日摇曳露营一棵树铁拳:血脉善缘医院第二季康斯坦丁:恶魔之城停战以后猫侍第二季法网情天风云战国之枭雄恋爱的我是女主角吗?神医大道公他们先杀了我父亲:一个柬埔寨女儿的回忆录坂本龙一特别线上钢琴独奏会2022异种族风俗娘评鉴指南花间提壶方大厨热血街区电影版:极恶王月上海DC:起源

 长篇影评

 1 ) 西部片早已没落,何必再来!

北欧冷风和西部热土的结合体,但观感并不是很舒服,假到让人发指的特效屡次出戏,一个渣男的死蝴蝶效应弄死了一个小镇的所有人,也成全了最后的雌雄双侠走天涯的暖色结局。祝贺Eva终于的角色不再碧池,虽然是个丧脸的哑巴。整部影片看点不多,不过当曾经的“曼联国王”坎通纳出现时,不禁让我们感慨岁月的力量。

 2 ) 第一次看丹麦电影

1870年代的美國西部小鎮,一名性格溫和的丹麥移民在失去了家人之後向兇手報仇,然而這讓他成為了當地一個臭名昭著的大惡棍的眼中釘。鎮上貪生怕死的居民全都背叛了他,留下了主人公獨自面對那些不法之徒。丹麦的电影平时很少看到,这部电影不是讲述丹麦的事情,而在美国一个西部小镇发生的仇杀故事。总体看起来比较平庸,各个器官几乎都没有受到什么刺激。它比起纯种的美国西部电影,好象差了个味儿。孤军奋战不算什么,最令人伤心之处在于你付出了一切,不仅得不到众人的支持,甚至还遭到背叛,想起那滋味儿都难受。

 3 ) 14年与17年的两次观后感

夜晚,在马车里,两个醉汉,荒野,路途未知,怎么想主角都应该直接干掉他们而不是让孩子拣枪。导演暗示了主角在美国后被宗教同化压抑自己,宽恕仁慈什么的,才导致了悲剧发生。 后半段John的爆发杀戮以及哑女离开,还有长官的那句“愿主怜悯你们的灵魂”,导演想表达的是上帝不会救你,自我救赎吧

以上一段是14年12月看完电影写的短评,现在是17年4月30号。过了两年多再看这部电影,感受完全不一样。两年前我觉得男主应该直接开枪,真是自私且个人英雄主义的想法。在自己的孩子面前杀人,相信不会有人随时做好了这个准备。尽管是出于保护家庭的目的,但夺取人的生命终归是一种恶。正如男主的做法一样,绝大多数有家庭的人都会尽量不让孩子过早接触这个世界的恶,所以他让孩子捡枪。之后可能胁迫两个醉汉提前下车,或者保持对峙直到终点分道扬镳,我们不得而知,但是男主让孩子捡枪而不是直接杀了两个醉汉,并不是出于对他们生命的怜悯,而是身为一个父亲对孩子的慈爱。

14年第一次看可能更偏向于把这部电影当成单纯的下饭动作片,而忽略了导演和演员对男主的刻画。有三段让我印象深刻。第一,男主在火车站接老婆孩子的表情特写让我们看到了一个沧桑的男人内心柔软的一面。一向冷酷的脸在看到妻子对他笑的时候露出了欣喜的神色,他好像在极力隐藏,却怎么也藏不住。第二,在马路上看到自己孩子的尸体的时候他没有哭,找到妻子的时候也没有哭,带他们回家后弟弟安慰他,这个时候他终于崩溃了。第三,在看到弟弟的尸体被他们的马拖着。他靠在石头上会是什么样的心情。老婆孩子都死了,唯一互相信赖依靠的亲弟弟也死了,现在他真的是孤家寡人了。

影片中也解释了男主的冷酷和坚强。他曾是士兵,参加过对德战争,见过了太多的死亡与悲惨。也许他原先并非这样的人呢?

最后比较嘲讽的一点,小店的16岁男孩在知道男主和他弟弟要离开小镇的时候说,这里仅有的两个会用枪的人都要走了。只有两个会用枪吗?小镇的治安官们难道都是死人?确实跟死人差不多,因为他们从来都不敢反抗。还不如16岁的男孩自告奋勇要帮助男主,一起报仇。可能因为年轻总有一腔热血,不知道害怕,也不知道自己有什么可以失去的。所以年轻人总是最容易被煽动,也最容易奋起反抗,最努力寻求改变的一个群体。不管是过去现在还是将来。

以上,两年后的一点思考和理解,期待下一个两年后。

 4 ) Sticky Oil

干净利落的西部片,情节毫不复杂,所有出现的人物的作用和走向你都可以猜的到,麦斯老兄饰演这样的受虐倒霉蛋也是绝对得心应手无出其右,甚至结尾American Laws也一如既往的姗姗来迟,帮忙让大家来感悟到底何为正义,而这些我们姑且认为都是经典西部元素,不这么用都不好意思标榜西部片。好了,现在透过现象看本质,不知导演意欲何为,片子却让我想起了前些日子在飞赴非洲大陆途中一段闲聊,某位在非洲大陆跌打滚爬了许久的江湖老人家(新殖民主义老炮)告诉我,非洲的储油似乎还是超乎我们的想象,但是某些很多咱们中国哥们几乎闻所未闻的非洲国家,不知当地的总统是高瞻远瞩还是出于自私保位心理,就是和当地老百姓一起穷死也不开采,而据说他们的逻辑原因很简单:那黑色的黏黏的着起来火焰极其明媚的珍贵的油,如果开采出来,哪里出来哪里就会引来战争,哪里就会民不聊生.... 这是强加的给影片的概念还只是为了推动一下情节的发展呢?我不得而知了。

 5 ) 西部片不死,武侠片亦然!

剧情上看,这很显然是从《正午》脱胎而来。但这部变种完全没拍出《正午》那种紧迫感。西部片其实分两种,一种就是情节紧凑令人窒息正邪直接交锋,另一种就是宏伟大气有点史诗味道,儿女私情,英雄热血。 西部片像华语的武侠片一样,近年有点死去的感觉,偶然会有两部回光返照一下,但已经无法重新引发一股风潮,可惜。窃以为,未来几年,随着电脑技术的炉火纯青,武侠片还是有机会再风光一把的,徐克准备拍摄《神雕侠侣》,相信他会带给观众不一样的东西。武侠片不会死。西部片也是。

这次丹麦人算是向西部片致敬,也是为延续西部片作了一点微薄的贡献。

 6 ) Denmark Strikes Back ... Using English

The US has been using its strengths in industries to further its national strategic objectives ever since it first embarked on the path of Empire two and a half centuries ago. The US movie industry is no exception to be exploited by this American imperial tradition. Nurtured in and nutritioned with the prolific home-market, and having grown prodigally in the first half the of 20th century to become a major cashcow of the US economy by the end of WWII, the US film industry has been employed since as a prominent tool to serve the US propaganda goals and further the US imperial narrative.

With the best staging money can buy (and it must be noted that the more money you have, the better staging you can buy; and the better staging you have in a movie, the more money you make. One should look no further than the intelligence-devoiding Hollywood visual extravaganzas, mostly sequels, which always haul in the most profit while breaking "box-office records", to appreciate this rule), and the unmatched shamelessness (the only truly exceptional trait of the Exceptional People) in appealing to the audience's baser instincts, the US film productions, unsurprisingly, have seduced and enthralled the gullible masses, around the globe, ostensibly for the Messianic goals of civilization, but in fact using the Satanic means of seduction, and achieved the Money-Changers' ends of self-aggrandization and destruction.

Using English, the Empire's language, the American narrative of the light and shadow is made into a narrow, crude, and monotonous one-way street dominated by crass stringent chauvinistic insensitivy: either you are with me, or you are against me; either you think and speak in the Empire's way, or you are a pagan barbarian, and your thinking and speaking do not matter and are wrong, categorically, and not even worth being looked at or listened to.

Nonethelss, amid and despite this crude and disgusting prevalency of the American narrative, other cultures are striking back.

This time, it is Denmark taking the lead, using no less than English itself, scalding bare the skins of American racism and American sanctimony-ism, revealing them for what they are: hypocrisies and double-standards that are parodying themselves.

The Dannish middle finger to the Americans is this: you think you are white? Well, sorry; we are Whiter. Since you think having fairer skin means having more superiority, we are, by God's will, which is the excuse you never stop resorting to in lecturing others, superior to you, so what about you people taking some raceo-culture put-downs from us?

Yes, you discriminate against the Jews; we could understand that, sort of. But you did not hesitate to rape the wife in front the child and kill the child in front of the wife of someone who is much Whiter than you. And you somehow invented the KKK? What is the problem with your American brains?

Well, the problem is actually no problem; it is just that the Exceptional People in the United States of America are hypocrites, and the kind invoking God's name all the time.

The sanctimonious sheriff no less appeals for "compassion" from the husband who had toiled in the desert for years to be able to get his wife and child from Denmark across the ocean and the country but had to finally see them raped and killed in front of him by licentious American outlaws for no other good reason than needing a fuck.

But this same "compassionate" and Lord-invoking "brave" sheriff did not hesitate to give an old woman and a disabled man to a murderous thug to be killed, so that the Sheriff could appease and satisfy the Outlaw.

This church-going sheriff, after having blamed the husband for not showing enough compassion in killing the outlaw who raped the wife and killed the son, somehow suddenly found the divine inspiration to reverse himself and claim the husband a hero, after seeing that the husband had killed all the outlaws so that the sheriff would not need worrying about retaliation by thugs if any other law-abiding citizen per chance did not show enough compassion to killers and rapists.

But only seconds later, God again showed his mysterious ways by making the American sheriff again reverse himself by declaring the soul of the just-made hero fosaken, sanctimoniously denoucing the husband, who had been deprived of his wife and son because the American sheriff himself and his gang were too chicken-shit to enforce laws, was somehow audacious enough to keep a White woman raised by Indians company since it was she who saved his life in his one-man fight against the outlaws when the American sheriff and his gang were too chicken-shit to go anywhere near the battlefield. Or maybe it was just because they had too much "compassion"? But why did not they show that in Ferguson, I wonder? God's will, I guess.

Of course, the Dannish production is as an austere and serious piece of film-making as I can think of. They would not be as untactful as their American counterparts, since they probably know that as crass in language and conducts as the Americans are to others, the Exceptional People always value "decency, civility, and politeness" in others when being spoken to; they do not, cannot, and will not see right from wrong in their own ways, but they will say that you are wrong if you point out that they are wrong, in clear and unambiguous language.

It is just like, if you say "fuck you", the Americans will object even if you did not fuck them. But if you fucked them, and did not say "fuck you", the Americans will take it in strides and probably will even express their pleasure and gratitude. The Dannish obviously took the latter course toward the Americans.

Last, but not least, to fend off nit-pickers, invoking a phrase that would make any American speech "decent", and thus "fit for the general audience", no matter its content or intent, as always done by America's Presidents, I say, God bless, and thank you for the "Salvation".

 短评

前半部精彩,后面绵软拉跨

7分钟前
  • 今言
  • 还行

林冲(已剧透)

12分钟前
  • 大 象
  • 还行

北欧风格的西部片:凛冽,冷酷,迅疾,毫不拖泥带水。麦叔的脸本来就很适合演这种偏野性的角色,感觉直接从马贩子片场过来的T-T 至于Eva没台词没表情打了个酷酷的配角戏份的酱油,很介意这对雌雄大盗的后续呢~还有那个16岁杂货店小哥有点抢镜~

13分钟前
  • 颜落寒
  • 推荐

开场马车里的戏就把电影带入高潮 男主肯定相当后悔为什么让儿子去捡枪

15分钟前
  • fanfanfan
  • 推荐

米克尔森的眼神真的是太有戏了

17分钟前
  • 可风
  • 推荐

这是一部被严重低估的电影,其中对人性的残酷与阴暗,对个人利益的算计,对西部早期的罪恶与法治缺失,对于仇恨,对于兄弟之谊,都有较深入的刻划。

22分钟前
  • 毕大费
  • 力荐

中字:http://www.opensubtitles.org/zh/subtitles/5903785/

25分钟前
  • ᠴᠣᠭᠲᠤ🔒
  • 还行

【7分】又闷又硬,几乎一点温情片段都没有,全程情感都压得死死的,连爆发都缺少那种爽感,有一种北欧式的冷冽。而且伊娃女神这个角色怎么连台词都没有,哭哭。

27分钟前
  • 坠落幻觉
  • 还行

007皇家赌场的女一和男二 时隔八年 历经千辛万苦割舌之苦丧子之痛后终于幸福地走到了一起

32分钟前
  • 弄臣
  • 推荐

好咧 好咧 Eva Green这次花瓶得彻底咧,都可以没有台词演电影咧!

33分钟前
  • 梅梅酱
  • 还行

本以为是high noon, 结果什么都不是。。。

35分钟前
  • Die Katze
  • 还行

黄沙漫天

40分钟前
  • William H D Lee
  • 还行

这部有点闷,但人美,景美,配乐美,因为前一天受到了瑞典语全程的摧残,这部有些丹麦语对白没有英语字幕啥能接受,给人的感觉就像北欧的环境,温吞安静,不太西部北欧片,拔叔自带机油属性还有点黑色幽默,虽然EVA的角色不明所以大部分时间都很花瓶,但最后绿娃和拔叔颇有雌雄大盗仗义走天涯感,三星半

41分钟前
  • DEPARTURES
  • 还行

除了老汉真的像3D建模出来的之外真的不好看.........

43分钟前
  • 猫咪建筑师
  • 还行

我还以为麦叔会在西部小镇开内脏肥肠烧烤店呢,看来是我的脑洞太大了

46分钟前
  • RYZ
  • 还行

一年一部西部片嘛……复仇果然最搭西部片,最佳组合,就算再俗套。

49分钟前
  • 恶魔的步调
  • 力荐

因为开始读血色子午线,想着看个西部片找找气氛……人物塑造很用心,包括镇上的那些居民。Jeffrey Dean Morgan好有感觉!!Mikael Persbrandt演的哥哥也令人心碎QAQ 荒凉、肮脏和原始的凶蛮,以及无知与无助。Only power speaks.其实是因为我绿娃看的→_→

51分钟前
  • 花岛仙藏
  • 推荐

A watchable western

53分钟前
  • emily
  • 还行

拔叔演得真好!!!命真硬。。。

55分钟前
  • 旺仔 小馒头
  • 推荐

可以,这很西部,打4星,1星给麦斯

58分钟前
  • 罗洋
  • 力荐