法国南部的Chauvet岩洞里,有三万年前的原始壁画,还有冰河时期的哺乳动物化石,但洞口一直被落石封住,直到1994年被科学家偶然发现。这个宝贵的洞穴被严密保护着,赫尔佐格只获准进洞拍摄六天,每天四小时,他还采访了相关研究的科学家们,用他特有的方式,探索史前人类对事物的认知和表达方式、艺术和文明史的诞生、以及现今围绕在洞穴四周的好奇人群。他还注意到现代工业对史前遗迹的侵蚀——Chauvet岩洞附近恰有一个核电站,已经因为温水汇流形成生态圈,里面连鳄鱼都有了,Chauvet未来可能受到被淹没的威胁。
这是沃纳·赫尔佐格首次用3D形式拍摄他最热衷的纪录片。
赫尔佐格这部在窄仄空间拍摄的纪录片同样具有剧情片震撼效果,一次穿越三万年前法国岩洞壁画的朝圣之旅,使影片更具超现实,超越时间和历史的艺术风格。柏拉图理想国的洞穴喻未必是无稽可查,我们服膺最初走下山去建造宜居城池的先民,但那所谓文明开端的艺术,还不足与原始岩画媲美。决斗的犀牛,矫健的狮子,成群的野马,熊与狼,一个充满灵性的人用木炭精准勾勒出动物形体,并施以明暗调子过渡,作品栩栩如生,动感十足,让人叹为观止,其中牛的造型不啻于毕加索的圆熟,这是三万年前人类的手笔,画家甚至用红色掌印为自己的作品留下签名。在四面冰川包围的石器时代,一些人拥在洞穴深处,警觉,不安,然而他们已学会捕猎,生火,驱散寒冷和黑暗,并凭借梦想去创造,那时岩洞的钟乳石,这石头的眼泪,还未滴淌成如今高耸的盐柱。科学探测表明,法国肖维岩洞壁画是历经几千年不同的人先后完成的,如今,人们找到了被遗忘的梦的洞穴,却迷失了我们自身,远古人在严酷环境运用自己的才智与精灵对话,接连创作,而现在,我们只是依赖仪器凌驾时间的占有者和收藏家,观赏艺术的野兽,包括这部电影。
Chauvet cave in southern France contains 30,000 years old primitive frescoes and fossilized ice age mammals, but the opening was sealed by falling rocks until scientists stumbled upon it in 1994. A team of scientists and documentary makers entered the cave. In their own method, they explore the prehistoric way of knowing and expressing things, the birth of art and civilization, and the curious people who surround the caves today. The documentary Cave of Forgotten Dreams records one such incident in Chauvet Cave.
The documentary made viewers feel the beauty of art thousands of years ago, but also expressed their concerns about the development of industry today. Modern industry has eroded prehistoric sites, a nuclear power plant has been built near Chauvet cave, and hundreds of crocodiles live in an ecosystem of cooling water. Chauvet cave is threatened with future flooding. To convey the feeling of beauty and call for the protection of the ecological environment is the main theme of this film.
The scientists used technology to create a 3D map of the cave, which is about 1,300 feet long from front to back.But technological restoration is not the ultimate goal of scientists. Their ultimate goal is to reconstruct the past and let the present know what happened here. Scientists are not only using technology to find the cave, but are also going back to ancient times, using the backs of their hands and faces to sense the wind blowing out of the cave.Exploration here every day thoughts and emotions of scientists the impact caused by staff in the cave feel himself become small, artificial light to illuminate the whole cave, some scientists felt a strange, irrational feeling, like a pair of eyes, and they, as they enter the disturb of the paleolithic artists' creation. The cave is an organic combination of the landscape outside, and in this landscape, there is a musical atmosphere that not only modern romantics, but Stone Age people may have felt in the same way, like cave painters, who seem to be speaking to us from a familiar but distant universe. The most notable features of the cave are the frescoes, animal skulls and stalactites of various shapes. Murals are the most characteristic of the three landscapes.Imagine the ancients lighting a fire in the cave, casting shadows on the mural, and dancing with the mural in the glow and moving natural light.Since the cave itself is not flat, ancient artists used it to create in 3D painting. What is more amazing is that the ancient artists showed the dynamic movement of animals by drawing many legs, which undoubtedly made the murals more vivid. The most impressive picture in the mural is that of four horses running at the same time, it reminds me of the galloping horse drawing by the Chinese painter Xu Beihong. The two paintings share the same characteristics, both of which adopt bold and unconstrained lines and freehand brushwork, and focus on depicting the charm and temperament of horses. The horse in the painting is vigorous and light. It has the aesthetic feeling. The skulls in the caves were arranged in a deliberate way, probably representing a place of worship that had been eroded by water and soil to resemble pieces of fine porcelain.
The process of making this documentary was also difficult. The cave is under the watchful eye of the French government and is completely off-limits to the public. Herzog had special permission from the French culture ministry to enter, but it was also strictly controlled: they had to wear certain clothes and shoes, could not communicate with the outside world, could not touch anything, and could only move within the built walkway. The crew can't be more than four people, which means that only the director, cameraman, sound engineer and an assistant are allowed in. Each person has their own job, and the director has to operate portable, non-heating lighting equipment. All equipment must be battery-powered, no wires. After the 3D camera assembly is large, it is difficult to enter the hole, so it is assembled in the hole. Under such conditions they were allowed to film for six days, four hours a day.
Herzog's documentary, shot in a narrow space, also has a dramatic effect. It is a pilgrimage through French cave paintings 30,000 years ago, which makes the film more surreal and artistic style beyond time and history.Background music is creative, it is full of wildness and power, combined with the documentary images so that the audience better back to the ancient times.When those prehistoric murals unfold before your eyes, in addition to beauty, is shocked, we marvel at the greatness of human creativity.
荷素是個神經質,只有他才能給這個紀錄片配上這樣一個結局。
赫尔佐格什么时候开始拍这么工整的纪录片了啊?
制作精良的,介绍法国南部的Chauvet岩洞里,有三万年前的原始壁画的3D纪录片,那些史前的壁画是令人惊叹,喜欢这类题材的可以看看。
感觉就是深夜昏昏欲睡的看了一部关于史前艺术的纪录片。
将岩画类比大银幕。借助岩壁的起伏作画并重复相叠,形成立体感与动感,仍然是比对电影。
解释避无可避的错时性,更恼人的是解释通达的建构之终点与摧毁只是一纸之隔。赫尔佐格通往电影之途总是将镜头瞄准遥远本身,这么说是因为他不一定是前往了地理上的世界终点,更有人文地标的所谓的世界终点。
估计是看太多自己吃不消了。
多加1星给那些岩壁上的画,古人们竟有如此高超的技巧,印象派毕加索!
3.5 結語挺讚。
极简 迷人 配乐赞 能看3D就更完美了 尼姆计划不如预期的好 竟然更喜欢这部
让人感动!
3D好看
Cave of Forgotten Dreams,多好的名字啊!
3D
Whoever decide to make this 3D is a genius
粗犷的肩扛和手提摄影配上3D技术估计可以让人眩晕,光影中洞内的壁画配着华丽的女高音相当迷人。赫尔佐格依旧执迷于对未知神秘的探索,关于3000年前古人的灵魂和认知,但更多的只是停留在表面上的美景上。★★★
3d docu. sheer beauty.
看不进去
有点做作,略失望
3D